Arkitip Intel
  • Arkitip Loves Ello

    Reported by Arkitip, Inc., 30 June 2015, 08:41 AM

    Join Arkitip on ello_intel-1

    What is Ello?

    Ello is a simple, beautiful, and ad-free social network created by a small group of artists and designers. It was originally built as a private social network that became so popular that a public version was built for everyone to use. Arkitip was introduced to the private network in 2014 and now that the site is out of beta and also includes a mobile app, we are fully on board. We love Ello’s interface because it allows us to publish large and beautiful photos. The functionality is intuitive, simple and they have promised to not gather your data or sell ads. We love that!

    Since the launch, there have been quite a few articles posted about Ello, this is a great “10 reasons you should be on Ello” article if you want to understand even more.

    As inspiration for our Arkitip fans and followers to join Ello we have created this coupon. Do not despair – it is surprisingly quick and easy to set up an account on Ello. For the next 30 days, all Ello members will receive a 50% off all magazine editions (including those at the collector price) and most of our silk screen print editions. In fact, there are very few things on our website that are not included in this 50% off coupon (everything except items in “Fine Art”).

    Its easy:
    1 – Browse all our offerings at Arkitip.com
    2 – Add your items to cart.
    3 – Enter coupon code: arkitiplovesello & click “redeem coupon” button to apply discounts before checking out.
    4 – Repost / share on Ello.

    Now we admit that you can still use the 50% off coupon without joining Ello but we think you are missing out if you don’t. Please let us know if you have any questions, thank you for the interest and support.

  • J. Grant Brittain Del Mar Skate Ranch Newspaper Launch, Photography Installation & Slide Show Recap

    Reported by Arkitip, Inc., 18 June 2015, 09:49 AM

    Many thanks to everyone that came to the J. Grant Brittain opening at Marcas Contemporary Art.

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    The exhibition is on view till the 11th of July 2015.

    Gallery Hours:
    Wednesday – Saturday: 12:00 – 7:00PM
    Sunday: 12:00 – 6:00PM

    Marcas Gallery
    305 East 4th St #103
    Santa Ana, California 92701
    +1 (714) 760-4637 Telephone

  • J. Grant Brittain Q&A for Marcas Exhibition

    Reported by Arkitip, Inc., 8 June 2015, 09:39 AM

    J. Grant Brittain interviewed by Stefan Jeremias.
    Photography Damon Way.

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    Q – How did you first get introduced to skateboarding?
    A – My brother and I received skateboards at Christmas when I was 10 (around 1965). Some sort of funky wheels, hollow clay or something wheels.

    Q – How about photography?
    A – I was working at Del Mar and borrowed my roommates camera in February of 1979 and shot a roll of film of local, Kyle Jensen. Had one good photo and then went and bought a used camera.

    Q – How did you get started at Del Mar?
    A – I worked at the skatepark when it opened. Wally Inouye lived next door to me and brought me a skate deck on my birthday on July 28th, 1978 and said he could probably get me a job at the park in Del Mar that was opening the next month. Eddie Economy lived next door and he was going to be the Pro Shop manager. I worked at the park from 1978 till 1984, we were worker bees, swept the bowls, rented out safety gear, poured Orange Bang in the Snack Bar and sold skate gear in the Pro Shop. I ended up as the manager of the skatepark and Pro Shop and also slept on the pool table in the arcade for eight months. I owe it all to Wally and Eddie.

    Q – What were the top selling items?
    A – In the snack bar? Orange Bang, Twinkies, Cheetos, oh and Ding Dongs. In the pro shop, I pushed Casters.

    Q – Describe the Del Mar era – what was the scene like?
    A – When the park opened in 1978, it was packed with skaters, skating was booming. We would have 6 to 8 people working and 100 skaters skating. The pros were flowing gear to people and the parking lot was a gathering place for the who’s who of 70′s skateboarding. There were the local guys and girls, the visiting pros and people there to watch the stars. Chris Strople, Wally Inouye, Eddie Economy, Owen Nieder, Dennis Martinez, Brad Bowman, Kyle Jensen, Jeff Paige, Bill Billing, Steve Sherman, Sonny Miller, Jeff Tatum, so many locals and stars. There were the locals and the wannabee locals, I meet people now that claim local status, but I don’t know them, I remember the Bad Co. guys in the 70s, they were the Surfy Skatey Down D crew, they were surf skater rockers from D Street in Encinitas and then Sonny Miller, Jeff Tatum and Art M would only skate the Kidney Pool and dominate it. There was definitely a pecking order in the pool, you had to wait your turn and there were regulators.

    In 1980 or so, skateboarding died, I mean really DIED! We would have 2 people skating and keep the park open till 11PM. If you sold a $100 in the pro shop on a day, you would be stoked. The best thing about it being dead, is that we locals had the park to ourselves. There would be one or two of us working and 6 locals skating. The locals and frequenters then
    were, Owen Nieder, Dave Swift, Tony Hawk, Gator, Stagoo, Chip Morton, TMag, Dave Bedore, Ken Park, The Stalmaskys, Dave Eckles, Tod Swank, Staab, Lester, Blender, Billy Ruff, Miki Vuckovich, Mike McGill, Sinisa Egelja, Aaron Astorga, Dave Duncan and a few others. After the park closed in 1987, bonds were strong, people stayed friends and everyone went on and furthered their lives in skateboarding and beyond. I am still friends with a lot of these fellows.

    Q – What were the other best parks in the US? Did you travel around to those?
    A – I went to a few SoCal parks, Upland Pipeline was the gnarliest. Each park had its crew of locals and they would beat our guys in contests on their home turf, but they would get their’s at Del Mar. Nobody outside liked The Keyhole because it was not perfect. As time went on the parks all fell to the jackhammer.

    Q – Photography was the main way to get information out to skaters in other parts of the world, what were the main media outlets? Tell about zines and other alternative press.
    A – There were Skateboarder and The Wild World of Skateboarding mags, and then when skating died, they split and after a year or so, Thrasher started and then I helped found Transworld in 1983. Those two magazines were where you saw skateboarding, not on TV, it was Magazines that kept the future history alive. Everyone had their zines, I had mine, Airzine. Lance and Neil and all of those guys started zines and that’s where skate art started showing up. GSD (Gary Scott Davis) and his SkateFate made them serious work. Zines kept underground skateboarding alive around the world. Thrasher and Transworld helped spread the gospel.

    Q – Describe the cycle from getting a shot, printing, submitting to getting it to print to circulation the progression must have been outpacing the documentation by leaps and bounds?
    A – The progression was happening, but there were less pros back then and there were the technicians progressing the tricks. If you look at the mags from back then, you see a lot of the same skaters doing the innovating. As far as the cycle of getting a photo printed, I was the photo editor and senior photographer at Transworld and it became my portfolio. I look at some of the photos that I ran back then and wonder what I was thinking? Not the skaters’ faults, just my photography.

    Q – From a photography perspective, what was most interesting about this time for you?
    A – I look back at that time and see it as the Golden Age, vert skating was going off and street skating was coming in and took over. What’s really great is seeing all of these guys I shot in their teens and twenties ripping today, it makes me smile. I owe it all to these guys, I cut my photography teeth on my friends at Del Mar and in the early days of Transworld where I got free film and travel. I was at the right place at the right time basically.

    Q – Why do you think that was such an important era in skateboarding?
    A – I think skateboarding changed very quickly. Skateboarders started flipping their boards and spinning 540s and then took it to the man-made street environment. Tony Hawk, Rodney Mullen and Mark Gonzales took skateboarding to a whole different level.

    Q – Concrete parks got shut down almost overnight due to liability issues, what happened to the skate scene after that?
    A – You can’t keep a good skater down, we adapt. People started building ramps and took to the streets and over time skaters increased in numbers and now we’re part of the permanent culture.

    Q – What happened with your career from there?
    A – I shot photos for Transworld for 20 years, I never quit, I still haven’t. We weathered the popularity doldrums and financial recessions and kept I kept making skate mags. I even helped start another magazine, The Skateboard Mag and have done that for another 11 years. Been shooting skating for 36 years and I plan on staying with it. It helps keep my mind young.

    Q – Information now spreads so much faster, how does this influence skateboarding and it?s culture?
    A – One has to be careful not to get caught up in feeding the Content Monster. There are so many digital venues and outlets and they all need content, a lot of bullshit gets put out there and a lot of great stuff ends up on Instagram for a minute. I see stuff that 20 years ago would have been in print and we would be writing about it in future blogs or see it on our eyeballs on another planet. I see some not so great content being put out just to fill the digital space. A lot of it is forgotten quickly or mowed over by the next big thing. It was easier when I started to get your stuff out in the skate world, there were two mags and 6
    photographers shooting 30 skaters. There’s so much content now, a lot of it gets lost. It’s quite overwhelming in a way.

    Q – You have seen a lot of change in skateboarding and media, where do you see things headed next?
    A – I have done a magazine since 1983, before we used computers, to using computers, to the spreading information through the internet, moving from film to digital photography, and then merging still photography and video in a digital storytelling format online for free. Print has to make a special product, it has to tell a compelling story. There are some things that a magazine can do better. If a magazine is fresh and is nice to hold, an experience, collectable, it has more worth and value. If print is dead like some say, why is it such a big deal to still get an interview or a cover of the new mag?

    * Please join us to see J. Grant Brittain’s photography from The Del Mar Skate Ranch, watch his slide show and have your newspaper signed…

    J. Grant Brittain Del Mar Skate Ranch Newspaper Launch, Photography Installation & Slide Show.

    Opening reception:
    13 June 2015, 8:00 – 11:00PM PST
    Grant will be in attendance to sign newspapers, give slide show

    On view:
    11 June – 11 July 2015

    Complimentary beer and wine

    Marcas Gallery
    305 East 4th St #103
    Santa Ana, California 92701
    +1 (714) 760-4637 Telephone

    Curated by Arkitip

  • J. Grant Brittain Del Mar Skate Ranch Newspaper Launch, Photography Installation & Slide Show

    Reported by Arkitip, Inc., 1 June 2015, 11:55 AM

    We are proud to announce in celebration of our latest release with photographer J. Grant Brittain we will have a release event & installation on 13 June 2014 at Marcas Gallery in Santa Ana, California.

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    Please join us…

    J. Grant Brittain Del Mar Skate Ranch Newspaper Launch, Photography Installation & Slide Show.

    Opening reception:
    13 June 2015, 8:00 – 11:00PM PST
    Grant will be in attendance to sign newspapers, give slide show

    On view:
    11 June – 11 July 2015

    Complimentary beer and wine

    Marcas Gallery
    305 East 4th St #103
    Santa Ana, California 92701
    +1 (714) 760-4637 Telephone

    Curated by Arkitip

  • J. Grant Brittain Del Mar Newspaper

    Reported by Arkitip, Inc., 4 May 2015, 22:44 PM

    It is with great pride that we announce our second project with J. Grant Brittain. We’ve blown up the format to Newspaper size, perfect for thumb-tacking to your walls. This collection is replete with inspirational moments, in a size that befits their ingenuity.

    While working at the Del Mar Skateboard Ranch in 1979 selling Cokes, Twinkies and miniature golf, J. Grant Brittain borrowed his roommate’s Canon and began what would become a 36 year-long affair with skateboarding, cameras and magazines. He helped found Transworld Skateboarding magazine in 1983 and as the Photo Editor for 20 years, helped build it into the top selling skateboarding mag. He has captured the best skateboarders of the last three decades in photos that have become classics. He has also taught some of the best skate photographers past and present and has helped them develop their own work. Grant felt like he was in a well worn rut and has moved on and helped start another magazine in 2003, The Skateboard Mag where he resides to this day.

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    His “off hours” are consumed by a search for calmer and more serene subjects. Still lakes at night and solitary desert forms are among the subjects of his diverse personal work. His abstracts, portraits, landscapes and travel images seem to draw from the opposite energy of his action shots. Few photographers have pursued so wide a range of subjects and styles. But few individuals find themselves so central to such an active community, where one’s perspective is just a notch askew of the rest, and where movement and progression is the norm. Grant Brittain’s body of work reflects his deep involvement in an emerging youth culture, as well as his escape from it.

    - Miki Vuckovich

    Featuring:
    J. Grant Brittain

    11 x 17 In. (27.94 x 43.18 cm)
    48 pages
    1 color, 30 lb. bright white newsprint
    Hand packaged in a limited edition of 500

    Further images can be found at the product page, this item is in stock and ready to ship.

    Thank you for the support.